As someone who still masks (KN95) in all indoor settings where unmasked people are present, I am all for this. Very much looking forward to seeing where it leads.
Well, in my case it's because A: I have a gazillion underlying health issues and B: I haven't been "sick" since February of 2020, when I had a diagnosed type-B flu.
What about the graphics processing capability? I see there are some modules with a GPU on them. Are they good enough to run 3D games that were released in the last 5 years?
I'm also happy with older games. I just don't know how powerful these GPUs are.
So awesome. If I needed/wanted a gaming PC or "family TV" gaming machine, I'd snag this for sure. I've had the Steam Deck since launch and it's really quite well-executed and I've logged hundreds of hours on it. SteamOS is totally decent and the level of polish has been continually improved. The price for the Machine is totally acceptable considering the market currently, particularly considering these [0][1][2] would be my options if I had $1500 CAD to spend on a gaming PC right now -- all machines with 8gb VRAM GPUs and 16GB of RAM.
Oh what the heck? That's super cool! Awesome idea. Possible future enhancement: some basic day/night (or even weather?) design elements that match the timezone of the person whose site it is? Still, doesn't even need it, it's really cool as-is!
I could see it being used as some avenue for saying toxic stuff, so I'm suddenly feeling like the only allowed actions should be ones that can never be harmful (like text interactions are just choosing from a pre-set list)..
Thaaanks!
I've thought about weather , but I loved the idea for day/night!
I'll definately implement that soon!
It already has block/ban and block word list, but unfortunatelly I haven't added them in the settings for the landing page before HN made it front page.. Opsy
Hell yeah, I still see it as the optimal arena FPS. The sequels add too much IMO. Quake 1 (QuakeWorld) was such a raw competitive arena shooter that is just pure action, no weird extra mechanics. Pick up items, get some health, shoot people. Q2/Q3 are totally fine too, but I feel like QW really just nailed everything.
Err, strange, what browser? I'm using Firefox on a ThinkPad from 2018 running Linux, and cssquake was running at a smooth 60fps just now (and at 1080p resolution vs the 320x240 or 320x200 someone would likely be running on a P133)
Ah man, hell no :( The music in DOOM was such a huge influence on me. I had the Macintosh version which IIRC had the .mid files alongside the game, so I hung onto those and listened to them outside of the game quite frequently. I was just a kid at the time, and later on when I discovered bands like Pantera, Slayer, Judas Priest etc. I suddenly "got" all the references (not previously having known they were references/iterations on those bands' songs)! Great memories. RIP \m/
It's amazing how much better all these sound to me in OPL2.
When CD-ROM soundtracks because the norm it really ruined a lot of game music for me, because all that chip music perhaps inspired by guitar and orchestral music just ended up being replaced with actual guitar and orchestral music, and then games just ended up sounding like movies and it's like what even is the point?
From my side I remember painstakingly transposing Led Zeppelin into an 8 bit tracker when I was a kid and being thrilled at how much more exciting the 3-channel square wave interpration sounded, and pretty much from that point on my guitar just became something to noodle out a riff prior to inputting to the computer.
When it was actual guitar and orchestral music it was one thing, but when it was "much better but still not quite there" midi renderings of orchestras and guitars, that could be a bit uncanny valley. And even when it wasn't, stuff that was really written for a 2 op FM idea of an orchestra, often sounded a bit thin on a real orchestra.
TBH I never really got the point of those "video game score played by a real orchestra" things, although to be fair most of them seemed to be for games from the console world so as a PC gamer I didn't have any attachment to the original tunes in the first place.
For me I really felt things turn between Dune 2 and Command & Conquer when Frank Klepacki got to put full-blown lyrics and guitars into the soundtrack. I did listen to a bit of industrial music at the time so I still enjoyed it for what it was, but it never felt as magical as dedicated OPL3 scores like Stéphane Picq's Dune... and when Trent Reznor was pulled in to do the score for Quake I was just like, okay, that's it, game music is over now. I think Epic kept it on life support by still using demoscene composers like Siren (Alexander Brandon) and MCA (Michiel van den Bos) who both went on to do Deus Ex, but since then seems like chip musicians and tracker composers are mostly doing niche indie games.
It's always a blast when you play a AAA these days and hear something that still has a bit of that old vibe - one tune I always remember is Sam Hulick's Uncharted Worlds, which is the galaxy map song from Mass Effect. I think you could probably build it on OPL, SID, even AY chip and have it still sound great.
I like Trent Reznor, but the quake soundtrack is... Not good.
It was the most popular game of a generation. Games that popular don't really need to have good music, it gets heard so much that people grow attached to it no matter how weak it is... But the Quake soundtrack failed even at that.
So it's no wonder game music composing didn't die!
Presumably most midi game composers checked that their music didn't sound like trash on the AdLib sound card most users would actually have? Good music that's actually written for AdLib can be extremely good, check out Stephane Picq (who sadly also died recently).
In 1993 I thought the OPL2 version sounded better and still do now.
But my broader point was that comparing this old game music to "real" guitar music kinda takes away from what it actually was for a lot of people listening to it - something different to and unique from mainstream rock/metal. It always made me a bit sad when these guys did interviews and talked about listening to ordinary rock bands, it kinda broke the spell that games were a special little place for people who were into computer-based art for its own sake.
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