Honestly, the more photos I take with my phone, the more I find myself craving a film camera.
It's not just the look of film which I find more appealing than digital photos, the physicality of the whole thing. Operating a film camera (especially older ones like Leica rangefinders or large format view cameras) is a very hands-on and deliberate process. You don't take a photo with an old camera, you make a photo.
This means you need to spend a lot more time composing the shot, focusing on the subject, metering the light (or using the zone system [1] if you want to go really old-school), setting the lens aperture and shutter speed, and finally taking the picture. In the case of a large format camera, you find yourself ducking under a dark cloth and focusing the (upside-down) image on a piece of ground glass, even using a magnifying glass for critical focusing!
The deliberate process doesn't stop with exposing the image. It continues into the dark room with creative control over the development and printing processes. From a single negative you can spend hours making test prints and playing with the exposure of the final print, using techniques such as dodging, burning, and masking. You can also do some crazy things with an enlarger; even producing wall-sized prints at home!
It's not just the look of film which I find more appealing than digital photos, the physicality of the whole thing. Operating a film camera (especially older ones like Leica rangefinders or large format view cameras) is a very hands-on and deliberate process. You don't take a photo with an old camera, you make a photo.
This means you need to spend a lot more time composing the shot, focusing on the subject, metering the light (or using the zone system [1] if you want to go really old-school), setting the lens aperture and shutter speed, and finally taking the picture. In the case of a large format camera, you find yourself ducking under a dark cloth and focusing the (upside-down) image on a piece of ground glass, even using a magnifying glass for critical focusing!
The deliberate process doesn't stop with exposing the image. It continues into the dark room with creative control over the development and printing processes. From a single negative you can spend hours making test prints and playing with the exposure of the final print, using techniques such as dodging, burning, and masking. You can also do some crazy things with an enlarger; even producing wall-sized prints at home!